فصلنامه مطالعات فرهنگی و ارتباطات

نویسنده

.اﺳﺘﺎدﻳﺎر و ﻋﻀﻮ ﻫﻴﺄت ﻋﻠﻤﻲ داﻧﺸﮕﺎه آزاد اﺳﻼﻣﻲ واﺣﺪ ﻣﺒﺎرﻛﻪ

چکیده

 
ﭘﺎﻳﺎن ﺟﻨﮓ ﻫﺸﺖ ﺳﺎﻟﺔ اﻳﺮان و ﻋﺮاق، ﻧﺴﻠﻲ از ﻣﺒﺎرزﻳﻦ را رواﻧﻪ ﺟﺎﻣﻌﻪ ﻛﺮد ﻛﻪ ﺧﻮد را ﺑﺎ ﺗﻐﻴﻴﺮی ﺟﺪﻳﺪ در اﻳﺪﺋﻮﻟﻮژی ﻣﺴﻠﻂ روﻳﺎروی دﻳﺪﻧﺪ؛ اﻳﺪﺋﻮﻟﻮژی  ، ﻣﺒﺘﻨﻲ ﺑﺮ ﺣﻤﺎﺳﻪ و ﻫﻤﺒﺴﺘﮕﻲ و اﺗﺤﺎد اﻳﺜﺎرﮔﺮاﻳﺎﻧﻪ ﻣﻠﻬﻢ از اﻳﺪهﻫﺎی اﻧﻘﻼﺑﻲﺟﺎی ﺧﻮد را ﺑﻪ اﻳﺪﺋﻮﻟﻮژی ﻣﻠﻬﻢ از ارزشﻫﺎی ﺑﺎزار و اﻗﺘﺼﺎد ﺑﺎزار داد. اﻳﻦ ﺗﻐﻴﻴﺮ در ﺷﺨﺼﻴﺖﻫﺎی ﻓﻴﻠﻢﻫﺎی اﺑﺮاﻫﻴﻢ ﺣﺎﺗﻤﻲﻛﻴﺎ ﺑﻪﺻﻮرﺗﻲ ﻧﻮﻋﻲ ﺑﺎزﻧﻤﺎﻳﻲ ﺷﺪه اﺳﺖ .اﻳﻦ ﻣﻘﺎﻟﻪ ﻣﻲﻛﻮﺷﺪ ﺑﺎ اﺳﺘﻔﺎده از ﻧﻈﺮﻳﺔ ﭘﻴﺮ ﺑﻮردﻳﻮ درﺑﺎرة ﺳﺮﻣﺎﻳﺔ ﻧﻤﺎدﻳﻦ ﭼﮕﻮﻧﮕﻲ واﻛﻨﺶ اﻳﻦ ﻗﻬﺮﻣﺎﻧﺎن را ﺑﻪ اﻳﻦ ﺗﻐﻴﻴﺮ در ﭼﻨﺪ ﻓﻴﻠﻢ از ارﺗﻔﺎع ، ﻣﻮجﻣﺮده ، روﺑﺎنﻗﺮﻣﺰ ، ﺣﺎﺗﻤﻲﻛﻴﺎ ﺑﻪ ﻧﺎمﻫﺎی: آژاﻧﺲﺷﻴﺸﻪای  ﭘﺴﺖ و ﺑﻪ ﻧﺎم ﭘﺪر ﻧﺸﺎن دﻫﺪ. دراﻳﻦﺣﺎل ﻛﻪ ﻧﺸﺎن ﻣﻲدﻫﺪ ﺧﻮد ﺗﻐﻴﻴﺮ اﻳﺪﺋﻮﻟﻮژﻳﻚ در ﻓﻴﻠﻢﻫﺎی ﻣﺬﻛﻮر اﻧﻜﺎرﺷﺪه اﺳﺖ. ﻫﺪف اﻳﻦ ﻣﻘﺎﻟﻪ اﻳﻦ اﺳﺖ ﻛﻪ ﻧﺸﺎن دﻫﺪ ادﻋﺎﻫﺎی ﻗﻬﺮﻣﺎﻧﺎن ﺣﺎﺗﻤﻲﻛﻴﺎ از ﻟﺤﺎظ ﻣﻈﻠﻮﻣﻴﺖ و ﺑﻲﻣﻬﺮی ﺟﺎﻣﻌﻪ ﻧﺴﺒﺖ ﺑﻪ آنﻫﺎ در واﻗﻊ ادﻋﺎﻫﺎی ﻳﻚ ﮔﺮوه اﺟﺘﻤﺎﻋﻲ ﺑﻪ ﺣﺎﺷﻴﻪ راﻧﺪه ﺷﺪه از ﻃﺮف ﻧﻈﻢ ﺟﺪﻳﺪ اﺳﺖ ﻛﻪ ﺑﺮ اﺛﺮ ﻏﻠﺒﻪ اﻳﺪﺋﻮﻟﻮژی ﻟﻴﺒﺮاﻟﻴﺴﺘﻲ در اﻗﺘﺼﺎد و ﺑﻪ ﻣﺤﺎق رﻓﺘﻦ اﻳﺪﺋﻮﻟﻮژی اوﻟﻴﺔ ﺟﻨﮓ از ﻫﻤﻪﺳﻮ ﻣﺘﻀﺮر ﺷﺪه اﻧﺪ و اﻛﻨﻮن ﻣﺨﺼﻮﺻﺎ ﺧﻮاﻫﺎن ﺳﺮﻣﺎﻳﻪﻫﺎی ﻧﻤﺎدﻳﻦ ﺧﻮد ﻫﺴﺘﻨﺪ .اﻣﺎ ﺑﺎزﻧﻤﺎﻳﻲ واﻗﻌﻴﺖ در اﻳﻦ ﻓﻴﻠﻢﻫﺎ ﺑﻪ ﻫﻤﻴﻦﺟﺎ ﺧﺎﺗﻤﻪ ﻣﻲﻳﺎﺑﺪ و ﻓﺮاﻳﻨﺪ ﺟﺎﺑﻪﺟﺎﻳﻲ در ﻓﻴﻠﻢﻫﺎ، ﻛﺎرﻛﺮدﻫﺎی ﺑﺎزﻧﻤﺎﻳﻲ را دﭼﺎر اﺧﺘﻼل ﻣﻲﻛﻨﺪ.

کلیدواژه‌ها

عنوان مقاله [English]

Symbolic Capital in Ebrahim Hatami kia ,s work

نویسنده [English]

  • shapoor Behian

Follad mobarake Azad Eslami

چکیده [English]

The war remains a generation of warmen entering in to the society who found themselves with a change in to the dominant ideology: the epic ideology which was depended on revolution and war’s values was replaced by market and economic values. They didnt accept this change, and begain to express their dissatisfaction. They wanted to recover these values and believed that the war has not been ended yet. This article try to show this change in course of the Pierre Bourdieu’s theories about symbolic capital and the field .and to show how they respond to this problem in several films by Hatami Kia named Glass Agency, Red Ribbon. Wave of Dead, In the Name of Father. This Paper is aimed to show that heros’ claims  about society’s unkindness to them are in fact  a group’s claims who was outcasted  by  new group who is the  representaion of new ideology.but representation of reality in these films ends in this point . And the displacement process is disordered by representational funections.

کلیدواژه‌ها [English]

  • war
  • ideology
  • epic
  • market
  • Symbolic Capital
  • generational consciousness